"Is There Somewhere"Hey guys. What's up? It's Halsey..um, I'm here to tell you a little bit more about my EP. The first song is "Is There Somewhere" and I actually wrote and recorded this song on Garage Band at first like a couple of months before I signed, um ... and I put it up on Youtube and um, it was like the most amateur thing ever. It was like I had put up this video and the end of it had like a little black slide that said, like, insert title here because I had no idea how to use technology. Basically, "Is There Somewhere" is like a prologue to the EP cause the EP is called "Room 93" and um, it basically just touches on like the human intimacy of hotel rooms and how it's like an alternate universe and "Is There Somewhere" is like a prologue to that. It kinda tells the story of a couple in a hotel room, experiencing, like, a tender moment together and the most notable line is "Is there somewhere you can meet me?" because it's like a frequently exchanged text message between myself and the person this song's about. It was kinda like, "Is there somewhere you can meet me?" and it usually ended up being an hotel room. So that's where "Is There Somewhere" came from and I think it's one of my favorite songs... I've ever written."Ghost""Ghost" was one of the first songs I ever wrote in like, an actual studio environment. I wrote it with my friend Dylan Scott, whose in a band called "Young Rising Sons." I just started The Halsey project, I had no idea what I was doing and I was writing like, acoustic songs before this. We sat down and we started like, messing with sounds and we wanted like these, "church-y, scary, shimmery sounds" -- the words I used. Most people when you're like, "Hey, I want shimmery sounds," are like, "What?" but he knew right away. So we came up with "Ghost" and it ended up just being like my signature. It was like how I knew what the Halsey project was gonna sound like. It was our single and, you know, SiriusXM started playing it which was awesome. A lot of people give me a lot of weird looks for it because it's like two minutes and thirty seconds long, it starts with the bridge, doesn't make any sense, there's like a rap, white girl part in the beginning in it, but we moved forward with it because we had faith in it, and I'm really glad we did ... and it's the fan favorite."Hurricane""Hurricane," mmm...is like the trippy song, I love this song. When I play this live, I, like, close my eyes and zone out super hard and kinda like forget that I'm on stage cause it's so dreamy. It's about a girl that kinda like falls for this guy who supposedly gonna make things hard on her and is gonna take advantage of her, but she kinda ends up turning it around in the end and she says: "I'm a wanderess/I'm a one night stand/Don't belong to no city/Don't belong to no man." So it's kinda like her response to him, saying like you know, "You can think you got me all you want, but I don't belong to anyone but me." And you know, I talk about Brooklyn, Brooklyn's my place. That's where Halsey comes from. It's definitely a very special song to me and I love it. Yeah."Empty Gold"Man, we must've sent "Empty Gold" to get additional production on it like eight times because it just has this HUGE cinematic feeling to it. Just like, this big action scene, like ... things are gonna come to a resolve, walking to the end of the sunset, credits-rolling kind of feeling, and we really wanted someone who was gonna nail that 'cause you know I tell you guys all the time that I want my music to have a cinematic quality and a very visual aspect. "Empty Gold" is like one of those songs that really just built up for me and had like a lot of swa-gger. Swagger? Oh yeah, swagger, I'll use that one. It was also kind of like, hikening and there's like a build up and it's like really exciting. So when we finally got this version back, we were all ecstatic about it because it gives you like this reckless, breathless feeling, but there's also a sense of triumph in it, and I think that was really important to us in putting this song out."Trouble - Stripped"So we had a couple of versions of "Trouble" that were really big- and vindicated-sounding, but we kind of decided to just put this demo version on the EP instead because we felt like it had a lot more feeling. I think "Trouble" is one of the most emotional pre-chorus, choruses, I ever written in my life; "Let's cause a little trouble/Oh, you make me feel so weak/I bet you kiss your knuckles/Right before they touch my cheek." And that's a metaphor in itself, and it means that someone who takes pleasure and takes some, like, sadistic joy in making you feel bad and hurting you in a mental way. And I kinda took that and put it in physical words so you could really understand how sadistic and twisted it is to be in a relationship where someone enjoys hurting you and that's that line: "I bet you kiss your knuckles before you touch my cheek." It's this kinda like pompous, there's like a smirk; there's a smugness in this sense of like, this person is proud of what they're doing to you. But then the chorus is very vindicated and it says you know, "I've got my mind made up this time." You know it's about having control and wanting to leave and that's the thing that I sing about a lot. There's a lot of honesty in what I sing, but I also make sure that I never play the victim, and that my protagonist always has the option and the intention to leave and take care of themselves, and that's kinda what "Trouble" is to me.
「Is There Somewhere」 皆さん、こんにちは。ハルシーです。EPについて少しお話します。1曲目は「Is There Somewhere」。実はこの曲は、契約の数ヶ月前にGarageBandで書いて録音したんです。YouTubeにアップしたんですが、すごく素人の作品でした。タイトルを入れる方法も分からなくて、最後のスライドに「ここにタイトルを入れてください」と書いてありました。「Is There Somewhere」はこのEPの序章のようなものです。EPのタイトルは「Room 93」で、ホテルの部屋における人間関係の親密さ、そこがまるで別世界のような場所であることをテーマにしています。「Is There Somewhere」はその序章で、ホテルの部屋で過ごすカップルの優しい時間を描いています。一番印象的な歌詞は「Is there somewhere you can meet me?（どこかで会える？）」です。これは、この曲を書いた相手とよくやり取りしていたメッセージなんです。「どこかで会える？」と送ると、だいたいホテルの部屋で会うことになっていました。だから「Is There Somewhere」という曲が出来たんです。私が書いた曲の中でもお気に入りの一つです。 「Ghost」 「Ghost」は、ちゃんとしたスタジオ環境で初めて書いた曲の一つです。Young Rising SonsのDylan Scottと一緒に書きました。Halseyプロジェクトを始めたばかりで、右も左も分からず、それまではアコースティックな曲ばかり書いていました。二人で座って、音をいじり始め、「教会っぽくて、怖くて、キラキラした音」が欲しいと言いました。普通、「キラキラした音」って言ったら「何それ？」ってなるけど、彼はすぐに理解してくれました。「Ghost」が出来上がって、それが私のシグネチャーサウンドになりました。Halseyプロジェクトがどんなサウンドになるのかが分かった瞬間でした。この曲はシングルになり、SiriusXMでも流してもらえました。2分30秒と短いし、ブリッジから始まるし、意味不明だし、ラップっぽい白人女子のパートもあるから、変な目で見られることも多かったけど、私たちは自信があったから突き進みました。やってよかったと思っています。ファンに一番人気のある曲です。 「Hurricane」 「Hurricane」は、トリッピーな曲です。大好きです。ライブで演奏するときは、目を閉じて没頭して、ステージにいることを忘れそうになります。夢中になれる曲なんです。この曲は、彼女を振り回して利用しようとする男性に恋する女の子の歌です。でも、最後は彼女が形勢逆転して、「私は放浪者、一夜限りの関係。どの街にも、どの男にも属さない」と歌います。「あなたに手に入れられたと思ってもいいけど、私は誰にも属さない、自分自身のもの」と彼に言い返すんです。ブルックリンについても歌っています。ブルックリンは私の場所、Halseyの故郷です。とても特別な曲です。 「Empty Gold」 「Empty Gold」は、壮大な映画のような雰囲気にしたくて、追加プロダクションに8回くらい送ったと思います。まるでアクションシーンみたいで、何かが決着がつきそうで、夕焼けに向かって歩いていくような、エンドロールが流れるような感じです。私の音楽には映画のようなクオリティと視覚的な側面が欲しいといつも言っているので、それを実現してくれる人を探していました。「Empty Gold」は、私の中で盛り上がり、自信に満ち溢れた曲です。ハイキングをしているような、高揚感のある曲です。最終バージョンを聴いたときは、みんな大喜びでした。無鉄砲で息苦しい感じなんだけど、勝利感もあるんです。この曲をリリースする上で、とても重要な要素でした。 「Trouble - Stripped」 「Trouble」には壮大で力強いバージョンもあったんですが、デモバージョンをEPに入れることにしました。こちらの方が感情がこもっていると感じたからです。「Trouble」のプリコーラスとコーラスは、私が書いた中で最も感情的なものの1つだと思います。「Let's cause a little trouble/Oh, you make me feel so weak/I bet you kiss your knuckles/Right before they touch my cheek（少しトラブルを起こそう／ああ、あなたは私をとても弱くする／あなたは私の頬に触れる前に／きっと拳にキスをする）」これは比喩表現で、相手を精神的に傷つけて喜ぶ、サディスティックな喜びを感じる人のことを歌っています。そのサディスティックで歪んだ関係性を身体的な言葉で表現しました。「拳にキスをする」というのは、相手が自分のしていることを誇りに思っている、得意げな様子を表しています。でも、コーラスでは「今回は決心した」と歌っていて、力強く、立ち去ろうとする意志を表しています。私がよく歌うテーマです。正直な気持ちを歌っていますが、決して被害者ぶらず、主人公には常に選択権があり、自分自身のことを考えて行動する、それが「Trouble」です。
